written by Eugene Al Pann, Los Angeles
Usually William Turner Gallery in Santa Monica
displays fairly good art. Not the best but with a distinct sense of pop art.
The place is great, well maintained for that rat hole called Bergamot Station.
All the time when I visit LA this gallery is a venue that I like to go.
For whatever reason, this time I found two ridiculous
shows at this gallery:
Koji Takey – “Resonance” a mixed media of Japanese
craftsmanship with absolutely no artistic resonance. The artist obviously tried
so hard to bring French artist Braque into 3D. But this, to me is a quick fix.
Here what the gallery thinks about his work:
“Koji Takei works reference synthetic cubism in
the most literal of senses. In cubist
artworks, the objects are broken up, analyzed and re-assembled in abstracted
form. These pieces, sculpted
meticulously from objects of our everyday life, allude to the deconstructed
instruments that often were referenced by Picasso and Braque in their first
phase of explorations into cubism.
As much as Takei’s pieces are Cubist in nature
there is also an unmistakable Asian influence in the working method of the
Japanese native. A quiet solidarity and
respect for the individual parts set the pieces apart from the noisy commentary
that Cubism often invokes. Takei’s
pieces are minimal in nature, but powerful in presence and seem to reference
the interlocking sculptures by fellow Japanese-American, the late Isamu
Noguchi.
Koji Takei is a sculptor living and working in
Los Angeles, California. He has taught
at the California Institute of the Arts in Valencia, CA, Otis College of Art
and Design in Los Angeles, and is currently a faculty member at the Art Center
College of Design in Pasadena and Academy of Art University in San
Francisco. His art has been the subject
of recent exhibitions at Laguna Art Museum in Laguna Beach and the Japanese
American National Museum in Los Angeles.”
Actually, being a professor does not necessary mean
someone is making good art. In Koji’s case he is just a guy that copies ideas crafting
them into a gimmick.
“A native of Toronto, Franco graduated from the
Ontario College of Art (now OCAD) in 1990 and returned to the University of
Guelph in 2004-05 to further his studies after 12 years working in
communication design and the renovation industry. As a multidisciplinary artist
since 2004, Franco has been exhibiting art and art projects ranging from
sculpture/installation, photography, digital art, and sound art exploring
narratives and representations that materialize notions of media, technology,
art history, and pop culture.
With his recent “Plasma Gel”, series of
digital/mixed media “picture objects”, Franco explores digital media as a mode
of abstract image production in the creation of an art object. Investigating
the links between art and memory, history and technology, the Plasma Gels
series use digital imaging as a means to navigate the territory between
photography and painting, mixing references to photography, painting and
display technology.Visualizing ephemeral and elusive environments that allude to a non-delineated, but deep pictorial space, these works recall the colour-field and the elemental geometry of mid to late twentieth century post painterly abstraction, minimalism and op-art. Franco’s work has exhibited in Canada and the United States and is included in various private and corporate collections throughout North America.”
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